Zeatre is a theatre review blog documenting my trips to the theatre and my personal experiences.

Wednesday, March 9, 2016

War Horse 03.03.16

War Horse
Location: New London Theatre
Date Seen: 3rd March 2016
Seen With: Mum, Dad & Brother
Understudies at This Performance: None noted (no announcements and didn’t see the daily board)

Summary
War Horse is the stage adaptation of Michael Morpurgo’s novel of the same name. Albert takes responsibility for foal Joey and raises him well, eventually winning a bet placed against his uncle winning back the 38 guineas paid for him. However his father sells him for £100 to the war effort and Albert is distraught. In an attempt to reunite with Joey, the underage Albert enlists in the war to find him.

Acting
The acting is at the forefront here from the puppeteers or to the rest of the cast. The ensemble fill the stage with energy and it feels like each actor is feeding off the others. I particularly enjoyed James Backway’s interactions between his family, Joey and to other characters. The changes were subtle but you clearly understood his relationships with other characters.

Music & Songs
The sound really enhances the initial Devonshire setting which is a rural idyllic village. This is juxtaposed against the loud cannons and gunshots that make up much of the soundscape of the war zone. The songman that features is fantastic and the live accordion and vocals really embed this show as feeling real, despite the minimal staging.

Choreography
N/A

Direction
The direction is fantastic in this piece as everything thing is natural. Nothing is forced or over done. There is some lovely staging with scenes from Devon and the War Front happening simultaneously and although this breaks from ideas of reality and that those two scenes would not happen in the same space, it feels right. It is clear that although the horses are a big draw, that as much effort has gone into working with the actors to make the piece come alive. I think it would have been very easy for the puppets to take all the glory, but I think it has been well balanced.

Set/Lighting
The set is minimal but I think this is perfect as it doesn’t detract from the impressiveness of the puppets. The lighting is warm during the scenes in Devon which contrasts against the cold and darker lighting during the war scenes which reflect the change of life and the dire times that have hit.

Costumes
The costumes are fitting to the period and the military uniforms are accurate. Its nice that the realism has been kept here and compliments the same realism that comes from the horse puppets.

Stand Out Performances
In this particular piece I can’t single out actors as the whole show was breathtaking. I have to applaud the puppeteers as they really steal the show with making the horses come alive. The way they trot down to the small details of an ear twitch when they hear something out of the ordinary. It’s the best example I’ve seen of the puppet and puppeteers becoming one.

Show to Show Comparisons
There are many shows out there now using puppets but none quite like this. The difference between War Horse and shows such as Avenue Q and Hand To God is the realism. War Horse’s puppets are so life like; you do at times forget that they are puppets being controlled by 3 actors.

Would I Recommend?
Yes however you may need to catch it on its UK tour as it plays its last performance at the New London Theatre on the 12th March 2016.

Overall Verdict (Out of 5 Stars):

5 Stars

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